more from
TRPTK
We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
supported by
/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Includes 88.2 kHz, 24 bits high-resolution files and digital booklet.
    Purchasable with gift card

      €15 EUR  or more

     

  • Hybrid SACD in Super Jewel Box
    Compact Disc (CD) + Digital Album

    Includes a QR code under the cd tray: if you scan this, you get a virtual booklet with lots of extra information, such as videos, stories of the recording sessions, sound clips and other relevant material.

    Includes unlimited streaming of Innermost via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

1.
2.
3.
4.
5.
6.
7.
8.
9.
10.

about

Over the years - now that we have practically covered the entire classical and romantic repertoire for cello and piano - we have realised more and more clearly why we have become musicians in the first place and what is indispensable for our inner balance. Herein lies the answer to the question of why we have recorded these composers and these pieces at this moment.We both feel that these composers had the greatest influence on our love of music at a very early stage and were even a decisive factor in us becoming musicians.

Starting with Schubert. Listening to Die Winterreise for the first time as young teenagers left an indelible impression for the rest of our lives. We were incredibly lucky to hear Schubert in truly ‘shockingly’ ideal performances: Fischer-Dieskau, Kathleen Ferrier, Elisabeth Schwarzkopf with Gerald Moore and Edwin Fischer....

We were overwhelmed, children still, by the complete symbiosis of music and poetry. This became a guideline for us in the way we wanted to make music ourselves: in essence, always wanting to tell something to the listener. Getting to know first the instrumental and later the vocal music of Schumann strengthened our youthful conviction that ‘enchantment with the story in the music’ is for us the only possible relationship with the listener.

Interestingly, our connection with this music is mirrored by the composers themselves. Reading about Schumann’s life, we discovered that he wrote in a diary or article ‘’Schubert is my everything’’.

Not much later, we also felt the same emotional vulnerability in Dmitry Shostakovich as lies in Schubert and Schumann’s narratives. As a composer Shostakovich (for whom we also played his sonata) is in many ways far removed from the first two. However, what unites these three, in our view, is precisely their keen feeling, their great empathy for human suffering. They are people ‘without skin’ - with an open heart.

-Dmitry Ferschtman & Mila Baslawskaja

credits

released November 11, 2022

Cello: Dmitry Ferschtman
Piano: Mila Baslawskaja

Recording & mastering engineer: Brendon Heinst
Assistant engineer: Bart Koop
Editor: Hans Erblich
Liner notes: Eric van Griensven, Dmitry Ferschtman & Mila Baslawskaja Piano technician: Michel Brandjes
Artwork: Livia Matze

Recording location Westvest Church, Schiedam (NL)
Recording format 352.8kHz 32bit in 5.1-channel surround

license

all rights reserved

tags

about

Dmitry Ferschtman Zeist, Netherlands

Russian cello player born in Moscow 1945. Moved to the Netherlands, with his wife and piano player Mila Baslawskaja, to the Netherlands in 1978. Is head teacher cello at Koninklijk Conservatorium, Den Haag and Conservatorium, Amsterdam.

contact / help

Contact Dmitry Ferschtman

Streaming and
Download help

Redeem code

Report this album or account

If you like Innermost, you may also like: